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Kind of Blue - Rate Your Music CD 37th; CE 38th; CF 39th; CG 40th; CH 41st; CJ 42nd; I could go on about the sound but I think the real point is that given todays best 24/192 PCM processing/mixing and using original vinyl as a reference for the new mix, great things can be done. Based in Holland, Music On Vinyl uses the Record Industry plant in Haarlem the largest surviving vinyl pressing plant in Europe and one of the top three in terms of quality, along with Pallas and Optimal in Germany. The Hollywood plant (located at 8723 Alden Drive from 1948) also closed some time in 64 when Santa Maria became fully operational., All lacquers cut are numberedin a standard matrix codeformat,stamped into the vinyl land lacquer between the grooves and label. In the case of Stereo, six lacquers account for half of all the copies manufactured, none of which are single alphabetic 1A to 1L. Now I'm curious if I should drop more cash on 'Round About Midnight Columbia Mono they just released. The most frequently found are in, order of magnitude, AJ, AD, BC, AA, AE and AG. No soul at all. Around a quarter were code 2 (Brooklyn) , three quarters are code 4 (Indianapolis) and just one 6, (also Indianapolis when supplying jackets to West Coast pressing plants). Mono feels a bit more powerful because of the nature of mono. Without your info, I'm sure it would have been a lot more work for me to build up my system and collection of records. Columbia Matrix Codes - case study: "Kind of Blue" Some EQ was used as was a bit of limiting. OP, I can try to explain it but it's only after people listen to it that they get it. you can buy a dream or two - see you in the blue! Both mono and stereo six-eyes with a uniquely Canadian touch. And, indeed, they are an audiophile delight. Though T has been suggested as referring to Terre Haute, it remains likely a Bridgeport pressing suggested by the label fonts. I know that there are multiple versions of Miles Davis' Kind of Blue, there are the MFSL, the original mono and stereo LPs, the 200 gram stereo remaster, and I have listened to the album on YouTube, and 256kbps isn't doing the material justice. Surely you've read enough about how it dispensed with chord changes (etc.) Barcode and Other Identifiers Barcode: 4 547366 450958 Other Versions (5 of 502) View All Recommendations Kind Of Blue Miles Davis Good luck, L edition numrot de 2015 Dans un emballage carton bleu. In afurther variation the word UNBREAKABLE under the catalogue number disappears. Ebay auctions of Kind of Blue on six-eye label over last three years where, seller identified matrix on both sides (198 commercial releases, 218 in total including twenty promos). Miles Davis "Kind of Blue" Monophonic Reissue From Sony/Legacy: An It is not staid, especially side 2. Twenty sevenlacquers of Kind of Blue were cut. Symmetrical (1A/1A) and sequential pairs (1A/1B) are actually a quite rare occurrence. It is a sort of rattling sound. Looking at theYouTube video and write-upon HD tracks and on the sister site: http://www.audiostream.com/content/miles-davis-kind-blue-again. Dylan and The Beatles were far more interested in the mono mixes because they knew that's how most fans would be listening at home and especially on the radio. Needle doctor even sells them. Rest assured, what you are hearing is what was recorded. Milestones was manufactured through a similar process as Kind of Blue . (Also, the mono mix for "Flowers Never Bend with the Rainfall" sounds better to me, but that mix seems to only appear on the single and not on the album) The stereo has far higher dynamic range and feels less compressed. kind of blue mono or stereo hoffman. He claimed back then that sometimes they would vari-speed tracks slightly to change the tempo. KIND OF BLUE. IIRC the original Kind Of Blue Mono tape masters no longer exist so using an original mono pressing the mono mix was 'recreated' from the 3 track tapes. A further four lacquers BB, BG, AL and BH, take us up to the three-quarter mark of all stereo copies manufactured. To speculate that Teo/Miles/the band "never bothered to listen or simply didn't notice" is just plain insulting to those involved. UPDATE 12/08/19: a copy with 1F has been found, with track listing error Side 2 1D/1F with TA etching (Conn. plant). Matrix 1A/1A with Side 2 track-listing error, an example. Another waxed lyrical over a 1A/1B six-eye stereo RARE! Unless you can come up with one of those original LPs, this is as good a sounding Kind of Blue as you will find. Arthur. Regarding vinyl it is felt that the 2014 mono vinyl release is the sane way to go if you want the best sound up til the White album. They can't find the tapes. The LondonJazz News Team / Contact Details, PREVIEW/ INTERVIEW: Ian Bowden, Rye Internatonal Jazz & Blues Festival, (Aug 21-25), REPORT AND PHOTOS: Gareth Williams/ Trish Clowes at the Watermill Dorking. None of these letters ever appear at any later date up to modern times. Miles Davis - The Original Mono Recordings - Amazon.com Music The majority of 1A and 1Bmatrix pairs are found as Side 2 paired with a higher letter on Side 1 (e.g. The track sequence error remained on the jacket in perpetuity. Also what comes to trusting the recommendations of people on audio forums, I stopped paying any attention to what critics of any kind music, audio, or otherwise have to say years ago, but the people who write their opinions on audio forums I have equally low faith in. Many sellers omitted mention of matrix codes completely, oridentified only one side, on the assumption the other side would be the same (they are usually not). Newly remastered from the backup stereo tapes, the anniversary Kind of Blue was released on both CD and LP. I'll have to give it a try. It follows more or less the overall Columbia evolution Guaranteed High Fidelity becoming MONO (white print); and STEREO first in black print then white print. My dad put aside a copy of the Kind of Blue 50th anniversary box set for me recently. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. Doesnt mean there arent others higher, just not in my sample. Columbia-CBS US (1961-67) The Six-Eye Columbias were the stars of Fifties audiophile recording engineering and pressing, however, however around 1961 corporate changes at Columbia were signalled by the introduction of the "CBS" name in addition to "Columbia". Epais comme un vinyl de pressage us. The basic difference with the stereo masters was that after the same type of process, the stereo masters were pumped up a few DB across the board with Volume Compression. All other pressingseven the re-released copies from second and third generation mothers in 1959 and 1960 which sound very very good, are not the original artthey are approximations made at a later date with mastering notes recalled from the original session. But sometimes a new remaster can bring new life to old records, yes even a better sound, especially for the bass and drums, yet, what came out in the later fifties and early sixties almost can't be beat. The four variations are offset pairs eg 1D/1H and 1H/1D.With D, G and H, and each letter is found as Side 1 and Side 2. So, typically: XLP12345 1A, Five digit recording serial number, followed by a hyphen. The Music On Vinyl label turns out beautifully packaged LP reissues on high quality vinyl. Mono VS Stereo - Which One Should You Use - And Why! - Wealthy Sound It got me "in the room" or studio, with the guys, where mono just did not, so I find it kind of (sorry) bizarre that, under almost any circumstance, mono would be the preferred medium where stereo is available. The love and care taken by Music On Vinyl on this release even extends to the printing of the labels, which on these discs are a homage to the 1959 Columbia six eye design. Yes, hearing "stereo" was exciting for me too, but over time I've come to realize that much of what was called "stereo" was just mono channels divided between the channels. I can understand why people rave over immense Klangfilm field coil open baffle loudspeakers in a single mono configuration. In the early days of "stereo" the mono mix especially of popular and rock music) was the one that got the most attention. Columbia may eventually have arrived at aneat andorderly system of lacquer distribution withthis combination of plants, but the evidence from Kind of Blue shows that was not how the system worked in 1959. The stereo playback from the original masters was eerie. The artist name and album title are set in Erbar Light Condensed font, used by Bridgeport and which went on to be used in label printing for Pitman. Discussion in 'Music Corner' started by Adagio, Jun 27, 2021. During these sessions both a mono and a three-track stereo master were created, using a total of four tape recorders running in synchronisation one prime recorder and one safety backup each for mono and stereo. Light VC, but there. This is specially true for master tapes that are over 30 years old and are not the holly grail many believe them to be. In line with Conventional Wisdom, first pressing on mono starts A, B, C, and (some) D, after which it is a veritable free for all, mix and not match. I believe the distortion you are hearing is the mute on Miles' trumpet. For this reason, it doesnt really matter whether your copy is a Bridgeport, Pitman, Terre Haute or Hollywood. Hence promos are all proven pre 11/59. 6 Imperial Packing Co., Inc. of Indianapolis, IN when suppling West Coast pressing plant It is a blue coloured record. Flamenco Sketches is a 6/8 12-measure blues form that produces its mood through only a few modal changes and Miles Davis' free melodic conception. It is very dynamic and seems a bit goosed on the high end. Featuring Evans at his most mellow and cheery, moody bass modulations by Chambers, notable fast-shuffle boogie drums by Cobb, rich slabs of Coltrane sax, and slalom-sliding trumpet by Miles in joyous Surrey With a Fringe on Top style it might come from a different sound world to the lonely, modal Kind of Blue tunes, but Green Dolphin Streetis nevertheless a blue ribbon bonus track. This was released as a single recordafter the blue vinyl(different masteringfrom Kevin gray). Photos not available for this variation. Check out www.recordstoreday.com. If you listen to this audio over numerous speakers, the identical call will be replicated to each of them. Manufactured & distributed by Music on Vinyl B.V. for Sony Music, It looks like you bought this pressing of KOB. Should the Miles mono reissues ideally be played with a mono cart? Identifiable early pressings are very rare. I suppose that is a personal preference.