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We wanted to have this beautiful mix of voices and languages." 'Dark': Creators Jantje Friese and Baran bo Odar - IndieWire This, this Volume technology, is the beginning of a new era of visual effects. 1899 Season 2: Rosalie Craig Reveals What Was in Store for Virginia What did you learn using the new tech? Its really weird and interesting technology, but its very helpful for the actors. Jantje Friese: 1899 is special because it's very topical - in 1899 people had a lot of racial prejudice, class prejudice, gender prejudice and so on. But of course, movies likeThe ShiningorAlien, where you have a contained situation like a ship or hotel where people are stuck and they cant escape it, that creepy feeling of corridors and how much you can see or not see, that was definitely a major influence visually. We thought: We really want to take a look at Europe, just take it, put it on a ship, in a confined space, with lots of ocean around, where you cant escape, and have like a little bit of an experiment, almost like a laboratory experiment. So it was finding out which puzzle pieces need to go in there so that we have the feeling of the characters really going full circle. The casting director did a fantastic job. Also, we actually thought about putting some of the stuff thats now in Season 3 into Season 2, but then decided to move it backwards. 1899: Creators of Dark Start Production for New Netflix Original-series Its also an interesting time because there were such extreme points of view back then. In a time where new genre television content feels rare and must be savored at all costs, one specific rabid fandom has a show to sell you on: Dark, Netflixs German time travel thriller from creators Baran bo Odar and Jantje Friese. By the end of Season 2, we're dealing with a number of different time periods spanning more than 100 years but we're also introduced, in the last seconds of the finale, to the possibility of an entirely new and potentially identical dimension. Friese:Our scripts look like Frankenstein monsters. The show is the first from Netflix shot entirely in a virtual studio, using cutting-edge LED-Volume technology with a video game engine that creates virtual sets and locations, allowing complex visual-effects shots to be done in-camera. One is theme, the other is character and the other is plot. The Hollywood Reporter is a part of Penske Media Corporation. 2023 IndieWire Media, LLC. Dark creators Baran bo Odar and Jantje Friese's highly-anticipated latest Netflix series 1899 has dropped an extended trailer, gifting more clues. Fox Says Battle With Parkinsons Disease Keeps Getting Tougher: Im Not Going to Be 80, Channel Your Inner Queen Charlotte with This Star-Loved British Brands Exclusive Skincare Kit, Naomi Watts Just Wore These Under-$100 PJs from Two Star-Loved Brands And Theyre the Perfect Mothers Day Gift for Stylish Travelers, The Best Signet Rings for Adding a Red Carpet-Ready Touch to Your Jewelry Stack, The Best Gifts New Moms Really Want, From Cozy Robes to Virtual Escapes, James Gunns Guardians: How Chris Pratt and His Marvel Castmates Rescued Their Directors Career, The Whispers Behind NBCUniversals Jeff Shell Firing, Diane Keaton: Youre Gonna Pray to Get Off This Call, The Definitive Voice of Entertainment News. We said from the start that1899should not look likeTitanic. So you didnt have to really change the way that youre shooting; you can do the shot and the reverse shot in one day, which was really helpful. Odar says there were two reasons why they opted to use this new technology, which has been used previously on shows such as Disney+'s The Mandalorian. So where does the show go in Season 3? We had to get cars from England for some shots where the steering wheel had to be on the other side. Weve talked to a lot of people whove had the opportunity to see the first six episodes, and its kind of half and half. Its both hopeful and ominous at the same time. The series certainly promises to be as mind-bending as Dark. Come along for the ride! The Creators of '1899' Reveal (Some of) the Secrets Behind the New Netflix Mystery Series Jantje Friese and Baran bo Odar, who also created the streamer's hit 'Dark,' are back with another meta. What were some of the touchstones you used when designing the series? And then you try to find ways to incorporate it throughout the story.". [Editors Note: The following contains spoilers for Seasons 1 and 2 of Dark.]. Friese: I completely agree. It's really a long, long process. Did the worldwide success and fan response toDarkchange how you went about making1899? Its over, Odar said. What was the original spark? Wrapping up the Dark story next season hasnt been an easy process, even though filming is already underway. Halle Bailey, Melissa McCarthy, and director Rob Marshall share the tale behind making their underwater musical with a groundbreaking Disney princess. Friese: We are big believers in ambivalence. Sign Up: Stay on top of the latest breaking film and TV news! And we're just waiting for the moment where someone shows up and says, 'April Fool's! bo Odar:Yeah, they really didnt understand each other. And then the pandemic happens, the show was supposed to be shot in a very traditional way, where we would have gone to a water tank and we would have built ship set pieces and traveled to other countries to shoot scenes there and stuff like that," he says. We get that question a lot. Everything happens constantly in loops. Now I can spoil it: There is already a hint in Episode 1 when everyone is raising their teacup at the same moment. ", If all goes according to plan, fans have many more episodes to look forward to. Jantje Friese: We wanted to introduce the parallel world in the second season. Anything else would have felt like stretching it unnecessarily and making it more complicated on a narrative level. "I would say it's a drama mystery show, or maybe a mystery thriller. Its the same word in English and German. When we got to the second season, we changed it again. It was a really awkward feeling that day, Odar said. (Seriously, if someone can please step in and explain the Elisabeth / Charlotte Doppler effect, slide in right here.). I always loved that idea. Usually, the foreground is the actor and then the background is what you have on the LED volume screen. Now we finally fill in the gaps and you see how the circle plays out. "If you don't look at the narrative chronologically, but you pick out single characters and just look at their character arcs, it becomes a lot easier," Friese said. Thats why we decided against showing it. It gives this other world a huge chance. And Odar has a bit of advice to viewers: "We do love to play with genres and expectations. Jock Zonfrillo, Chef and MasterChef Australia Judge, Dies at 46, Succession Star Reacts to That Kill List, Talks Golden Parachutes and Kendall Roys Ascension. The international cast worked on one of the biggest virtual stages in the world. Lets look at them as music instruments. I think 95 percent of the shots are handheld to make it feel alive and wild. The entire first season was filmed at the Dark Bay LED studio on the Studio Babelsberg lot outside Berlin. Even if the hair color is lighter or if they have freckles, then that kind of a hint. But the biggest challenge was actually for actors to play everything in a mirrored way. Insane. Jantje Friese (born 1977) is a German film producer and screenwriter known for co-creating the Netflix series Dark (2017-2020) and 1899 (2022) with her creative and romantic partner Baran bo Odar. Heres Everything You Need to Know, The Outer Banks Season 3 Trailer Just Washed Ashore, 1899 Ending Explained: Series Creators Reveal the Easter Eggs Leading to the Shocking Finale. It should feel different, because you have this image of a big steamship going from Europe to America and immediately you think this must be the cube version ofTitanic. If you just compare the first season ofDarkwith the first season of1899, I think theyre similarly complex. Friese compared it to the Season 1 episode that first travels to the 1950s and the Season 2 episode that revisits the day of Michaels death. "[It's] definitely not easier, really," he says. Very simple things like opening a door, you have to do it with your left hand. Where does he come from? Sign Up: Stay on top of the latest breaking film and TV news! Thats where we basically put the groundwork, going for deterministic time travel rules. You can try that for a day, and its really awkward to do if youre not left-handed. Obviously, a pyramid already gives you so much mysterious context. That's what we tried to do. That was the initial plan. I think thats really interesting. It always sounds to people like its easier to do a last season when you know where you going. In the development process we never thought of it as [just] a German show. Then you start putting characters into that idea, but they might feel a bit one-dimensional, so you get some ideas for the plot and you work it in. ", Triangular symbols, such as those used in alchemy to denote the four elements, have popped up in the promo materials for the show so far. Mysteries about characters allegiances or motives are hard to separate from their ties to family fates. But the novel is so voluminous that the miniseries format makes more sense." One must watch it. Dark: Here Are 8 Easter Eggs You Might Have Missed Amidst All Those Time Travel Shenanigans bo Odar:When we spoke to the guys behindThe Mandalorian, we asked them what worked and what was really complicated. While the closing chapter features answers to some of those questions, the episode before that is the one that holds the key to more than a few loose ends that have been lingering for fans of the show. "Slowly you build your own mythology and set of rules. Andreas Pietschmann plays Captain Eye Larsen in 1899. All these hints subconsciously or consciously trigger something in your head. Do Ellis Dragons Unstable Inventions Exist in Real Life? We know people will be going insane about it, but we always knew this would be our answer: we dont have an answer, because we do not know if theres a god or not. The former show, after all, spawned a worldwide cult following of fans eager to untangle Dark's knots, and the idea for 1899 first sprung up after Dark's first season. How does it feel to be almost in a prison, because you cant get out of yourself? The season weaves together not only five or six different time periods, but also a second version of those time periods, and goes back even further in time and more years along the way. I love her! said Friese. The same people laugh, cry, they get born, they die just fundamental human stuff. Finally we could do whatever we wanted with them. They always knew where it would go, but they recently watched the last episode in the cinema and they were like, oh my God!, Odar: We dont play with the audience and treat them as fools and idiots; rather, the opposite. When the crew decides to board the Prometheus, things take a horrific, and decidedly weird, turn. It was such an interesting challenge. That [story] was already during development for Season 1. Do Not Sell or Share My Personal Information. Then at some point, when I feel stronger or happier with whats there, I put it down in pencil. ", Odar explained that, if you're looking to keep track of everything, follow the symbols. Whats the fundament of it all? Of course, thats just a tiny part of the hook of Season 3s new alternate reality, one in which Marthas younger brother never travels back in time and never becomes Jonas father. Hopefully it feels like something really fresh and new, while still [being] exactly what Dark fans would like to watch." After that, it goes straight to the computer. Studios, is getting another shot at an adaptation from Netflix. It was a set constructed specifically for the series. There are so many ideas and concepts out in the world, said Friese. Today, in 2022, we are still there. So with every project we did, we, we always had that in mind that one day we want to reach a global audience., After the 2014 film Who Am I No System Is Safe, a techno thriller thats been compared to Fight Club and Mr. Mind still blown by that out-of-this-world ending to1899? Even a camera is a tool for me, I love to play around with it, or with a lens. "We do love challenges," Odar says with a laugh. Note: This article contains major spoilers up through Dark's Season 2 finale, and some mild spoilers for Season 3. It's all rooted in one core idea. We always approached it as a global show, but we never, never, never expected that kind of success.. You just trying to be flexible, to really allow the process to surprise you while youre going through it, but still kind of knowing where youre sailing to. What kind of trigger words do you use? To achieve this, Odar says Friese initially wrote the scripts in English, and then writers and translators from all over the world advised on the parts that needed to be in other languages. 1899just has a different structure. I think its a very individual thing. bo OdarI think we learned a lot to be honest, because it is a new tool. We need to know what are we actually talking about. We werent 100 percent convinced that we would get people [away] from the second screen and actually take the time and investment to watch whats going on. Sign up for THR news straight to your inbox every day. Was that deliberate? I love challenges, and I get bored very easily, even on set. Its all heady stuff, but one that adds an extra layer to the shows mysteries. The 225 Best Horror Movies of All Time That was a challenge I really loved. Why dont we have that?. And thus, fans of this science fiction series can be found discussing Nietzsche and other philosophers, trying to unlock the shows themes of free will and fate, alongside the physics of time travel. For instance, the ship's dining room, which is a pivotal set piece on the show, was not an actual physical room that they built. Because Dark travels back and forth in time, dropping in on the same Winden residents at different ages in 33-year cycles, casting children, adults, and older versions of those characters is essential to sell the outlandish storytelling. Making a splash: A deep dive into the live-action Little Mermaid with a new generation's Ariel. How difficult was it to interact with the actors when youre performing in a language you dont understand? When we arrive at the start of Season 3, the big twist of Season 1 that main character Jonas Kahnwald is actually the son of Mikkel, the young boy who mysteriously vanished from 2019 and somehow ended up 33 years in the past seem quaint by comparison. Jantje Friese and Baran bo Odar, who also created the streamer's hit 'Dark, are back with another meta mystery, this time set on a migrant steamer at the turn of 19th century. We already have ideas for a second and third season on 1899, and it gets complicated. Hannah reveals shes thinking about Jonas as a name for her unborn child. Doors that used to be on the left side, were on the right side, Odar said. Its been quite a process getting to here. For fans who are still trying to figure out season three of Dark who was Noahs dad again? "I would say culturally, there's a lot of difference between German Europe and India. The passengers of the Kerberos encounter the biggest mystery of their lives. We love symbolism and we believe you have to be true to the symbols you lay out. "When I read it, I was like, 'I finally got it!' And I dont want to spoil the meaning of that yet. I think its great. Doubtlessly, you have questions on your mind, about the two new worlds introduced in the final season, how the Dark production team put the parallel universe into reality, what Jonas and Marthas final sacrifice meant, the logic behind the final dinner scene, and most importantly this: is there more to the story? What stylistically are you going for with this show? Old Ines (Angela Winkler) in actual life has a mole, so you put that on younger Ines when you tried to make them match.. I think the two concepts needed two different kinds of storytelling. And then something thats quite important for series, especially compared to movies, is the whole world-building process. 101K views 5 years ago HeyUGuys interviews Director / Writer and creators Baran bo Odar & Jantje Friese for their brand new Netflix TV show Dark - the first original show to come out of Germany. Baran bo Odar and Jantje Friese, the German creators of buzzy cult series Dark and 1899, have been tapped to develop a series. It's just the camera trick. If you leave enough open for people to pour their own creativity into it in that way, it lives. We wanted it to be something that everyone can relate to: dinner with family and friends. Im still not sure about the percentage, but its probably 10 percent [of the mysteries] we are not goiong to answer just for the fun of it, but they will be smaller. Were hinting at that in the first season all the time that its a circle. That was the biggest structural issue: when do we reveal what? Do you wish there were more than three seasons to explore the story? 1899 also has a unique sound because, fitting with the theme of Europe you were talking about, you decided to have all your actors speak in their native languages. [Friese laughs] I played weird music the entire day and it became this very weird experience for everyone. "India just picked up that show a couple of months ago, and now it's really huge in India," Odar said. Others will take more time because they might think its about the Bermuda Triangle or whatever. We had a lot of photography from really weird people with very strange lighting setups that created a very interesting isolation of the figures in the images. It feels quite right and satisfactory. So, a very simple example: In French, you can address someone in a formal or an informal way. It was really challenging for us in the third season to establish another world with maybe even other timelines, too. "But then the pandemic happens. Related How can I get over always reacting in the same patterns to certain situations? You can change anything. 1899 Review: Netflix's Patient and Mysterious Dark Successor How composer Ben Frost creates dream-like sound design. Some said: Oh, it felt more at ease, like it was easier to comprehend. They said the most complicated thing was actually the logistics, scheduling when you can shoot what, how to get sets in and out and the reverse shots, all those sorts of things. To create an illusion that the virtual space is a three-dimensional space its fascinating. Friese:There are always three key elements. Thats already in minute 10, 11. And the older they get, it gets worse, said Friese. In German, its so negative. But the people creating the show needed more elaborate tracking methods. . "We worked on a database where every scene is broken down under certain circumstances. And what I just found so interesting about that, or what became even more clear to me, is that through language youre actually expressing culture. All Rights Reserved. If you turn that upside down, its 666, the number of the beast, so its magical too. Still, there are enough locations that do exist, exteriors that even when dismantled were the site of many memories for those who worked on Dark. Its understandable that even Odar didnt want to give up the show right away. If a door was on the left side, it would then be on the right side in the other world. And. He almost reveals what happens before hes interrupted. What other Easter eggs did you plant throughout the season? And the rest is just virtual in it, even with digital extras, which we used for the first time, which they didn't on Mandalorian. How did the script work did you write in German and then have things translated? I stick to a very weird process, which is that everything needs to fit into a book of [a certain] size. Friese: I think its something about growing up in Europe, or growing up as a German, when you consume entertainment, which, at least in our experience, is coming largely from Hollywood. You dont need to see it on screen. Its not every word but you learn how a language sounds and, especially if you do a lot of takes, you get really used to it. bo Odar:Thats a message to Final Draft: Work on that script notes function. Season 1 was tricky enough, but midway through the second season you may find yourself needing to construct a character yarn board on your wall to remember everything that's happened, who the various actors are depicting at various intervals along the timeline, and when any given scene is taking place. How did the actors react to working in this new virtual space? Friese: There was supposed to be a scene in season two that got cut out. Also the same as we did in Season 2 where we put a little bit focus on different characters like Claudia and Egon, were going to do the same in Season 3 and call some people up that had smaller parts. 1899 Netflix TV Show Creators Interview - The Hollywood Reporter From Barbie to The Flash, Here Are the Movies That Made the Biggest Impact at CinemaCon. Odar and Friese both speak English and German, with a smattering of Spanish (him) and French (her), but the scripts called for everything from English to Cantonese to Danish, and more. Friese: Its a good thing because it helps you see who you are yourself. Entertainment Weekly may receive compensation for some links to products and services on this website. Friese:Oh, absolutely. bo Odar: It was a bit tricky at the beginning. Friese: I think its a relief for them compared to green screen, just because you can actually look at something. Thats not what we wanted. You really had a problem letting go, I think, Friese added., Yes. Friese said, That was the centerpiece of it all. Describing the premise of the series feels almost impossible. Related So its really that in going through the makeup process and trying to find out what you do with the hair and face. We spoke to Dark co-creators Baran bo Odar and Jantje Friese about saying farewell to the series, the spiritual and mythological influences they crammed into the third season's eight episodes, and how in the world they managed to keep everything straight. We wanted to make sure we got there. But in the end, it turned out to be way easier than we thought, because theres a sort of universal language, without words, going on while youre communicating with someone. But the mid-ground, the thing in between, thats what actually glues these two layers together, and its the most important part of the whole process. In an interview on Zoom, the Playtech team spoke to the producers and some of the cast of the psychological thriller 1899. . She also doesn't want viewers to expect to learn everything when the show ends. In terms of the working process, what was good for us was to talk to the people who worked onThe Mandalorian and find out how they did it.